Spotify: Is It Good Or Bad For Musicians? [POLL]
It’s been quite few months since the launch of Spotify in the US, yet debates on this music streaming service don’t show real signs of slowing down.

Here is what I have learned over the last year from my own experience and from leaders and pioneers of this new internet music scene. Here are my current 10 Commandments to reach the goal: Getting Known and Being Paid through the Internet.

The only territory worth exploring as an artist is the area without the map – the place where you need to lead the way. Art is about the new, the fresh, the exciting.
The article by Chris Purifoy, Co-founder of the Restoring Music Foundation, and is based upon a crowdsourced research document titled, “Defining the Music Industry Crisis.”
It’s been quite few months since the launch of Spotify in the US, yet debates on this music streaming service don’t show real signs of slowing down.
The Stop Online Piracy Act (SOPA) is part of a seemingly more aggressive legislative strategy designed to combat the unauthorised infringement of IP rights on the Internet along with its (ugly) sisters the Anti-Counterfeiting Trade Agreement (ACTA) and the Protect IP Act (PIPA).
With 48 video hours uploaded every minute, 3 billion videos viewed on an average daily and 70% of traffic coming from non-US countries, musicians cannot ignore the power of YouTube networking.
Whitney Houston’s talent endeared her to the music industry, ranking her among its most treasured artists. But can the tabloids, bloggers, and record labels resist the temptation to exploit Whitney’s tragedy?
Behringer’s big iPod docking station, the largest in the world, is highly coveted; but with a price tag of $29,999.99, who’s buying?
More businesses and musicians are realizing just how important videos are to the success of their marketing campaigns.