The social micropayment platform (that’s what Flattr is) has finally opened to the public this month, so now you don’t need an invite to give support to the sites you visit (like this one) with real money or to add the Flattr button to your own blog.
Here goes some real Arcade rock n’ roll. This week, Ultimate Guitar’s Mobile Development Division released Slash’s Arcade Rocker, a groundbreaking music/rhythm mobile app game featuring songs of the legendary guitar icon.
If you want to become successful in the music industry, there many things you need to know and do. But even if you get all that right, you can prevent yourself from reaching big success by making critical mistakes along the way.
This is an interview where one great musician talks about another, even greater artist. And if it’s possible that you haven’t heard about the interviewee, you are definitely familar with who he discussed.
Analyzing and knowing the amount of risk you are willing to take is an extremely wise move, because it prevents you from getting in far deeper than you are comfortable with. Overstepping those boundaries can result in making desperate moves and much more.
The Fader created a free custom mobile application for iPhone and Android as part of a new version of popular Mobile Roadie DYI service.
A brief review of Open Studio, a service allowing to hourly and monthly rehearsal studios to list their available rooms, and musicians to find available studios in their area using their zip code or city.
This week marked the launch of a new interesting start-up, TheIndie.biz – a social buying and selling service, allowing independent music fans to tag and feature their favorite songs and sell them through Twitter, Facebook, Bebo, and MySpace accounts.
I’m not one for criticizing other people’s musical tastes/genres, but I seriously don’t think there’s a genre of music called “emo”. For the past few years now, there’s been this uproar evolution of punk music, known only as “emo”, which is stupid when you think about it.
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