The following is a list of reasons why record execs may be giving you the cold shoulder, and things you can do to help solve this: in short, this is how to make your band look very attractive to a record company.
Here is an excerpt from UG interview with Reader’s Wives’ frontman Niall James Holohan, recently conducted by Robert Gray.
This article is aims to clarify any and all confusion brought about by the last article, which itself was simply a general outline about the way one runs a record label. If you have any questions about the general mode of operations, refer back to the first article.
The focus of these columns is business, a running diary of an underground label starting out in small town Kansas. I invite you to keep up with it as I hope to share some of the experiences that pop up.
At this very moment, teenagers all over the world are jamming in their garages with dreams of record deals and fame in their heads. They might win the battle of the bands! After that, the sky is the limit, right?
Using the stock exchange as a basis for my business model, I’ve constructed a theoretical approach to help support up-and-coming bands, starting from when they’re still at their earliest stages of their artistic and commercial development.
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