Slash's Arcade Rocker app

The newest game is worth playing at despite anything though (especially at the $.99 price tag). Slash’s Arcade Rocker allows the guitar legend’s die hard fans to play along with three pre-loaded songs from Slash’s solo début album – By The Sword, Watch This and Doctor Alibi – as well as any Slash song in their music library (and not only Slash, just as in the regular AR you can play thousands of songs if they are in your iPod music library).

In addition to the music/rhythm game, the Slash Arcade Rocker app provides access to the latest news, blog, tour dates and other exclusive content from Slash’s official website, which was as well developed and is hosted by Ultimate-Guitar.com as part of its partnership with the guitarist.

“The Arcade Rocker iPhone app is one of the coolest apps I’ve seen yet,” said Slash. “I’m having a blast with it!”

The mobile version of Slash Arcade Rocker is available for iPhone/iPod touch/iPad users from the iTunes Store for $0.99 (a limited time offer). A free online version is available at slash.arcaderocker.com.

Don’t be greedy for a buck :) Share your thoughts in the comments if you buy the app!

The new film, starring Dakota Fanning and Kristen Stewart, presents an unflinching insider’s view of what it was like for six teenaged girls to be thrust into the limelight with minimal adult supervision, in a sex, drugs and rock’n’roll era hostile to female musicians.

Ultimate Guitar’s Joe Matera recently talked to Victory Tischler Blue about her new film, the renewed interest in the group, reissues of its back catalog, Vicki’s memories of her two year stint in the group, and thoughts on music industry. Read an exclusive DM excerpt below:

Edgeplay cover

Do you have many fond memories of your time in the group?

The whole thing was really magical for me, I really did like it. Not to contradict myself, but I really enjoyed it as it was a chance to go out and play music and be very cool as a teenager and travel the world and live a dream. But the bummer was after awhile, I kind of wanted to go home and get back on track and do the other thing in my life that I loved which were horses and going back to film school. To become a film director was my original goal.

What do you think of the new Runaways movie that Joan Jett has sanctioned?

I have not seen it though I know the script as I had it for awhile and I’ve seen the clips and everybody I know has seen it. Ironically, two of the actresses in the movie called me as they wanted to touch base and connect and stuff and they told me that they ended up watching Edgeplay over and over again to learn from it, a basis of the part of the characters they were going to play. The other ironic thing is that a lot of the things that Joan was suing me over in Edgeplay, ended up being included in the new Runaways movie.

So does Joan has control over the back catalog then?

Yes, on a business level they have made sure of that and I think Joan’s big issue with Edgeplay was a control issue. And at that point it certainly wasn’t the content. But they’re all about controlling the whole Runaways franchise.

Since you’re now full-time in the film making business, do you still harbor any musical ambitions?

No I am involved in the music in the projects I do and I bring in other musicians to work on my projects which are film based projects. But the only thing I want now as a musician is a new black 1962 Everly Brothers Gibson acoustic guitar with the double pickguard and star inlays…

Josh's mega, mega justification

Ohhhhhh Boy! I can’t wait for it to arrive! It matches my yellow and black Nike’s (courtesy of my mama)

“Doc, is it bad that I bought a guitar to match my shoes?”
“No, son, it’s called having an image.”

I can no longer justify guitars as tax breaks, even though they are. I am writing this one off in my mind as a necessary expense of visibility, which is what I’d like to discuss today.

I learned a lesson the easy way last year when I was playing my first stadium gig. OK, I was one of many local musicians playing at a sub-minor league stadium for a charity event, and only a smattering of people noticed me, but – there were close to three thousand people there, and I did get to say “What’s up, Waldorf? Are you ready to ro000ccck?”

One of my buddies said he showed up, and saw my rig set up from across the stadium. He wasn’t sure it was mine, but then saw the Plutonium orange Ibanez RG and said “oh yeah, that’s Josh’s setup.”

Visibility, be it literally, such as highway safety colored guitars, or from a multitude of positive interactions with people, is something worth boosting. Get out there and shake hands (and don’t give ‘em the dead fish grip), look people in the eye, and say “Hi, I’m here to rock your face off. Hope you enjoy!”

What can you start doing right now to boost your image in the industry and the scene?

Here’s what I’m doing – maybe you’ll get some ideas (remember, I have an over-the-top persona, blending close to a musical comedian). I know they’re specific, and may only work for me. Take it with a grain of NaCl2 (salt).

• Zany colored guitars. I’ve got the M-16 (photos coming soon; friend me on Facebook in the meantime to see it there), and the Tiger is on the way. I plan on spray painting a strat, and that’ll be my AK-47. Add that orange Ibanez, and I’m literally visible from space, bro!
• Shoes. Talk about a great conversation starter, and something for people to remember you by. My current favorites are a pair of Nike’s that match the Tiger guitar (yellow, with a black swoosh). I’ve gotten money playing street music because people liked my lime green wrestling shoes. Ironically, they walked away when I started playing, which was discouraging, but hey, I got the buck!
• Positive, professional interactions. Be polite, be on time, smell nice, thank people after the gig, and be that consummate pro that you’re striving to be.
• Talking to the crowd. It’s just fun! People seem to like it, too. Hey, it makes me feel like a million bucks. For all my cynical comments, I genuinely like people, and connecting with them from the stage, including them in the music, lifts the whole room to a better place. Are you ready to ROCK?!
• Stupid props. I’ve got a cordless drill a la Paul Gilbert (check it out on YouTube) that alternate picks really fast, and makes a cool sound with the pickups! Now that’s 9.6 volts of pure memories.
• Of course, playing good! I’m working so hard on writing, playing, and putting on the best show that I can. For me, time onstage has helped me a lot. Practice does indeed make perfect, or at least a good rock show. Well, I’m gettin’ there. I’ve come far enough to see how far I’d like to go!
• Free stuff. I’m working on my marketing strategy right now… OK, just pondering it. But it seems that an investment into free stuff like stickers, CDs, etc, is probably the best advertising budget. I’m not sure yet, and I’ll report back to you when I figure it out.

Hopefully these actions gave you a few ideas of your own. The point is – take action! All the World’s a stage… Own it!

Hey, maybe visibility can be my mega, mega justification of my new guitar on the way. Can you see me now? World, are you ready to ROCK?!

This is a guest blog post by Josh Urban. Josh is a musician with a unique perspective on music. Always a thinker, he gains insight wherever he can find it, be it in the clubs as a working musician, busking on the city streets, or teaching in the classroom. A naturally enthusiastic fellow, he is always fired up about bringing the lessons he’s learned to his readers. Maintaining a website, a blog, and a monthly newsletter, he aims to make musicians stop, think, and play with a little more intensity, integrity, and inspiration. You never know who’s listening.

Read few exclusive excerpts from Amy Kelly’s UG interview before it goes live in full next week:

Do you feel any pressure from your label at this point in your career?

The label doesn’t really pressure us per se verbally. With the industry as fickle as it is, you kind of put that pressure on yourself. Executives, bands, and record stores – everybody is dropping like flies. Here today, gone tomorrow. You’ve got to keep being viable and give enough reasons for your record label to keep invested with the band and keep invested in you as well.

In buying the record or buying the single from iTunes and buying concert tickets, that’s keeping your shit going. I used to get really caught up with where we were on Billboard and how many records we had sold and where the single was and how much MTV was playing us. Honestly, I don’t even look at that. I have no idea where the single is. I have no idea how much they are playing our video. As long as I wake up and play a show and people are there and they know the words to the song and they’re having a good time and we get to do this for a living, then I’m happy.

I’m extremely happy that we can do that. Success isn’t the charts anymore. As long as I can keep doing this for a living, I’m extremely happy.

Photo credit: Chad Martel

What would you suggest for the business side? Do you think that touring as much as possible is still a viable approach to marketing?

That may work for some people. I don’t know. I really think that’s a complete waste of time, going to all these cities where people don’t know who you are. You go to a bar and play for 10, 15 people that are there for the drink specials. Maybe if you’re really good, then there will be 30 people. I’ve heard that. It never worked for me! I was always like, “Why did I take off work and spend money to go play at some show.”

I think nowadays it’s completely different. There is so much you can do on your own now. That’s what you have to do now as a band because no label has money to spend on breaking in an artist. The more you can do on your own as far as your MySpace, your Facebook, and your YouTube or your merch, the more you can do on your own and the less of a risk you are to a label, the better chance you have of getting it. The chance of a major label picking you up and wanting to spend a gazillion dollars on you are slim to none. Unfortunately that’s the way it is. Buy a van. If you make enough money, buy a van and the label doesn’t have to worry about it. Anything you can do on your own is going to give you more bargaining power with the label.

I will post the link to a full interview when it’s up, great read.

Asked by Joe, What has been the most important lesson you have learned from being in the music business?, Lu said:

Photo credit: Kentaro Murai

That there is no music business now, but the only thing I have learned is to not trust anything that has got to do with the business and only just play with your friends and connect to the people who you really share a passionate interest with music. Also keep your mind open and never dismiss anyone, never condemn anyone and never think you know everything.

Always keep your ideas open and go and see as much music as possible. And don’t clam up because if you become despondent and depressed, you will clam up.

And if you think you are really successful and are the bees’ knees and there is no one else better than you, you are going to clam up too and you are going to stop absorbing and stop connecting. And either of those two things are your nemesis. You have to stay calm and stay open. That is my advice.

This part is what I like: don’t ever stop absorbing and never stop connecting.

Read the full interview when it’s up on UG tomorrow here, and don’t forget to enter our latest giveaway for a chance to win 1,2,3’s colored Confetti 7″ vinyl for simply “liking” the Dotted Music Facebook page. It’s really simple.

The rules are dead simple. You have two options to enter the giveaway:

• “Like” the Dotted Music page on Facebook.
• Share the message about the sweepstakes on Twitter (and don’t forget to follow me).

Or do both ;)

The winner will be announced later in June (the end date has been pushed back).

1,2,3

Confetti 7" Cover

A little background on 1,2,3, signed to almost as much young Ooh La La Records, a boutique artist development company and record label from Brooklyn, founded by producer Theo Aronson.

The outfit consists of Nic Snyder (vocals, guitar & keys) and his long-time pal Josh Sickels (drums). 1,2,3 hail from Pittsburgh and are late of the well-known power punk outfit, The Takeover UK.

“I’m really excited about this new band,” Nic proclaims, “It’s what I’ve always wanted a band to be.”

1,2,3 is the platform for some very smart songwriting, for example, “Confetti,” a tune about death that quite happily sounds like the orgasmic collision of latter day Beatles (definitely a Lennon tune), Gram Parsons and Big Star, and “Can’t Bribe God,” a kind of slow, Gospel shuffle that finds Snyder displaying simply the most viciously visceral vox work this side of Prince Rogers Nelson with a middle eight that feels curiously like ELO… in a good way.

Both songs were recorded last Fall at Aronson’s Brooklyn recording studio. Inquiring minds can expect to hear them very soon, followed by a full album in early 2010. Check out the band’s MySpace page for a sneak peak. “Confetti” is available in the Ooh La La Records online store.

For those musicians who are wanting to break into the industry, do you have any business advice?

Clint Lowery

The whole landscape of marketing is a lot different than when Sevendust first started. It’s got its pros and cons. The great thing is that anyone can get exposure through the Internet. There are so many avenues and so many ways to get yourself out there.

If you have the music to back it up, sometimes it just takes a small seed of promotion to get out there. If you have the music and the whole package to back that up, you plant that seed and it’s going to grow. If you have something that people want to hear and want to see, they are going to come and see it and buy it. They’ll spread the word. People want to be the first people to tell other people about this cool new band.

If you have the goods, you’ll do good. If you have an average band that relies on the smoke and the mirrors, you’re only going to go so far. If you have a real niche and something that’s new and liberating, people are going to get it.

If you have an average band, you’re going to get average results.

Read the full Amy Kelly‘s interview with Sevendust guitarist Clint Lowery when it’s up on UG later this month.

Ultimate-Guitar.com, the world’s biggest guitar tablature database and musicians community, has officially announced a joint venture with internationally renowned artist Slash.

Here’s a part from the press release:

Slash

Under the agreement, Ultimate Guitar and Slash will co-develop and co-own digital assets associated with Slash’s online initiatives, including his official website, www.slashonline.com, which launched today. In addition, the Joint Venture will develop and release a variety of Slash-branded mobile applications as well as instructional videos featuring Slash.

“As a musician & fan there’s nothing cooler than to partner with Ultimate Guitar. They’re THE source for gear info, tabs, music & artist news & the list goes on & on. There is no online site that comes close to UG for supplying such comprehensive music information. I’m proud to be onboard,” said Slash.

“Slash is the ultimate guitar god and his brand resonates with the Ultimate Guitar community like no other musician. He is one of my favorite artists and a major inspiration when I started Ultimate Guitar in the first place,” said Ultimate Guitar founder Eugeny Naidenov. “This partnership creates a unique opportunity not only for Ultimate Guitar to leverage the Slash brand but also for our worldwide community of guitar enthusiasts to interact with and get close to a revered artist, and vice versa. For an artist of his stature to tie his brand and web property to an online social community is a forward looking approach that truly breaks the mold.“

Noticed the “Slash-branded mobile applications” part? We are in fact going to release a co-branded iPhone application in a week, you will love it.

Meanwhile, Slash‘s self-titled album is released tomorrow (April 6th), be sure to check it out – dope LP.

Reader’s Wives

Do you study how the music industry works? You seem to have a lot more knowledge about the music industry than some other musicians.

Yeah. I kind of made it my business. When I was younger and was doing the acoustic stuff, I had something musical to contribute, but didn’t really know where to start. I just got out among the conventions, and as a manager myself. At the time I did that, the whole digital thing was breaking, which everybody knows has turned the music industry on its head. But what I came away with as an artist was that I really need to know what I’m doing in a business sense. There’s no point in being good at music, and being no good or not knowledgeable about the business side.

We have a manager now as I said, but it’s still good for an artist to be knowledgeable enough to be able to talk to their manager on that level. I think most artists think that way now, but for some reason, they don’t want to be seen as boring to know a little bit about it, but I see it as exciting. It’s exciting to think that you can own everything, and still make great music. There’s something finally very punk rock about that; punk rock was a burst of energy, but it was supported by a major label system. What we have now is as good a burst of energy, but we can own it all.

Watch the Reader’s Wives video for “Victor’s Mother Juliet“:

During the week, I have discovered three brand new movies that I take the liberty of describing as “inspiring” even before actually watching them (yet). Here they are, for your consideration:

72 Musicians

72 Musicians asks the question, “Why the hell do we chase this music dream, anyway?” The film was made and released by Topspin’s VP of Product Design Bob Moczydlowsky, so the creation, pretty obviously, uses Topspin platform for marketing and distribution (which is a unique and a promising collaboration on its own).

The documentary chronicles the struggles of 72 Kansas City musicians, “speaking with a single, anonymous voice about art, poverty, booze, lies, class, hardship, food and failure. Oh, and day care. And rock ‘n’ roll.” It features interviews and/or performances from members of Spoon, White Whale, The Architects, Coalesce, The Get Up Kids, The Republic Tigers, Mac Lethal, The Life & Times, Roman Numerals, SSION and more.

The movie has been released in a variety of formats, from an $8 iPhone version to HD downloads and DVDs with T-shirts and posters, to 50 DVDs in bulk, all the way to a $400 version which comes on a hard drive with all the assets, Creative Commons-licensed to edit and release your own version. Go read more at Topspin’s Ian Rogers‘ post here.

Don’t Quit Your Daydream

Don’t Quit Your Daydream was created by Los Angeles-based musicians Clark Stiles and Nathan Khyber from the band The Good Listeners and was produced in association with JLoar, Inc and Adrian Grenier’s Reckless Productions.

“It is a story of two musicians approaching their 40th birthday unwilling to relinquish their love of music. Not wanting to give up the dream of being rock stars after hitting 40, the duo set off to do what most said they couldn’t – record the album of their dreams on the road and document every second creating this film. Leaving their day jobs behind, they set off on a 24-day cross-country road trip in an RV recording and filming both the album and documentary, Don’t Quit Your Daydream, while spanning 12 cities across the heart of America.

“Stiles and Khyber were on a mission to find the answer many musicians search for: why risk it all for a pursuit in music? To answer this question, Stiles and Khyber set up their recording studio in each city, collaborated on a song with a local musician and asked them why, like themselves, were they drawn to do what they love most… which is to play music.”

The Runaways

The Runaways is the music-fueled story of the groundbreaking, all girl 1970s rock band, with Kristen Stewart and Dakota Fanning starring as Joan Jett and Cherie Currie. The film is written and directed by Floria Sigismondi, and Apparition will release it on March 19, 2010.

“The two teenage valley girls with punk in their blood, meet and become the heart and soul of the seminal all girl band, The Runaways. Floria Sigismondi brings The Runaways to the big screen in this story of a group of extraordinary young women as they rise from rebellious Southern California kids to rock stars of the now legendary band that paved the way for future generations of girl musicians. Under the Svengali-like influence of rock impresario Kim Fowley (Michael Shannon), the group evolves into an outrageous success and a family of misfits. With its tough-chick image and raw talent, the band quickly earns a name for itself — and so do its two leads: Joan is the band’s pure rock’ n’ roll heart, while Cherie, with her Bowie-Bardot looks, is the sex kitten.”

The Runaways is produced by John Linson, Art Linson and Bill Pohlad. Joan Jett, Kenny Laguna and Brian Young serve as executive producers.

Have you had a chance to watch any of the movies? (Or have you decided that you should go to The Runaways premiere?) Share your thoughts in the comments!