While your average street musician can upload a few tracks onto MySpace and get a few more people coming down to watch them bang the drum, the bigger guys still have the contacts to fill a venue on that alone.
I learned a lesson last year when I was playing my first stadium gig. Visibility, be it literally, such as highway safety colored guitars, or from a multitude of positive interactions with people, is something worth boosting.
Most people have become very familiar with the internet, and all associated software. In fact, with the advancement of technology, most people have become familiar with all sorts of new little devices and technologies that have flourished because of the internet.
72 Musicians, Don’t Quit Your Daydream, and The Runaways. These are three new movies that I have discovered this week and that I take the liberty of describing as “inspiring” even before watching them.
This article is aims to clarify any and all confusion brought about by the last article, which itself was simply a general outline about the way one runs a record label. If you have any questions about the general mode of operations, refer back to the first article.
The focus of these columns is business, a running diary of an underground label starting out in small town Kansas. I invite you to keep up with it as I hope to share some of the experiences that pop up.
